Education
An influential group of leading academics and cultural figures has issued a stark warning that they fear for the future of the arts and humanities in British universities. A letter to the Observer (see HERE) signed by the directors of major arts institutions and a number of university vice-chancellors, claims that funding cuts and a decision to focus on the sciences have left subjects such as philosophy, literature, history, languages and art facing “worrying times”. Without urgent action the country’s intellectual heritage is in danger of being diminished, they conclude, and, with reference to Labour’s decision to run tertiary education from the Business department:
“There is more to citizenship than business and skills… People’s complexity comes from their language, identities, histories, faiths and cultures.” More in The Observer HERE and HERE.
Broadcasting
BBC chiefs effectively wrote off £150m of licence-payers’ money spent on an online education service, BBC Jam, after it was axed, and officials decided efforts to recoup the cash by selling off the material “wasn’t worth the candle” reports The Independent on Sunday HERE.
It has also emerged that leaked proposals by Mark Thompson to axe the digital radio station 6Music have set the BBC’s director-general on a collision course with the BBC Trust. Two weeks ago, the trust published a report into 6Music which concluded the music station was “well liked by its listeners” and its audience had “grown faster than any other BBC digital radio-only service”. It emerged last week that Thompson’s proposals, to be published next month, recommend closing the station down. Other proposals include shutting the Asian Network, slashing the website’s staff by 25 per cent, selling off magazines such as Radio Times and Top Gear and capping sports rights at 8 per cent of budget, or £300m. The news that 6Music is in danger has met with vocal opposition, despite an audience of fewer than 700,000, according to the latest Rajar figures. More in The Observer HERE, HERE and HERE; Independent on Sunday HERE and HERE; FT HERE.
This Wednesday’s full-year results presentation from ITV will be the platform for Archie Norman (Adam Crozier’s start date is yet to be confirmed) to present his plan for the broadcaster’s future – including a roadmap away from the Michael Grade era. The results will be far from woeful; analysts predict pre-tax profits doubling from £34.7m to around £67m-£88m. Numis Securities has forecast a pre-tax profit of around £75m based on the belief that advertising recovered dramatically in the last few months of 2009. The Sunday Times HERE; Telegraph HERE.
Funding
A host of internationally flavoured arts events in London in the coming months are being supported by companies that intend to use cultural links to support their business interests in emerging markets. HSBC, which promotes itself as the bank that best appreciates the world’s diversity, is emphasising that message by sponsoring this summer’s Brazil festival on the South Bank, about which we’ve blogged HERE. Marah Winn-Moon, HSBC’s head of cultural sponsorship, said:
“It is a great opportunity to bring clients in with a cultural hook, and then to start talking to them about doing business in those countries too”.
Overseas companies are also exploiting London’s vibrant arts scene to promote their business in an international context. Nigeria’s Guaranty Trust became the first African corporation to support art in Britain when it sponsored Tate Britain’s current exhibition of paintings by Chris Ofili, a painter of Nigerian heritage. The bank also sponsors the next installation at Trafalgar Square’s Fourth Plinth, the British-Nigerian artist Yinka Shonibare’s “Nelson’s Ship in a Bottle”, a reproduction of HMS Victory bedecked with sails decorated with African patterns. The work will be unveiled on May 24. Segun Agbaje, the bank’s deputy chief executive officer, said that arts sponsorship was an opportunity:
“… to give people another perspective on Africa, to talk about its heritage instead of droughts all the time”. More in The FT HERE.
Theatre
Sir David Hare, an associate director of the National Theatre, has said theatre lags behind other creative art forms, such as the novel, when it came to women and equality of expression. Theatres should realise that women’s writing for the theatre had reached a “tipping point”, he says:
“I don’t think the repertory of most theatres at the moment is reflecting what seems to be happening in terms of the most interesting new theatre…We would hope to see management of theatres reflecting where we think the creativity in playwriting is coming from… There’s no doubt that the structure of the theatre is plainly male… The rough and tumble of the theatre is like politics to a degree – it’s a macho business.” More in The Telegraph HERE.
Art
Some of the world’s most important paintings may be lost to the nation because there are no funds available to keep them here following the purchase of two works by Titian for £100m. The latest artwork poised to join the exodus of masterpieces is St John the Evangelist by the Italian Old Master Domenichino. Despite being in the UK for the past 100 years, the painting is likely to leave the country. Professor David Ekserdijian, of the Government’s Reviewing Committee has said:
“It is the best work by the artist remaining in private hands and its departure from the UK would be lamentable.”
Works to be lost from the country include:
Raphael’s Head of a Muse The “exquisite” drawing from 1510 – a preparation for a commission by Pope Julius II – looks likely to be on its way to America after being bought for a record £29.2m, even though “every possible effort should be made to raise enough money to keep it in the country”.
Turner’s Pope’s Villa at Twickenham One of Turner’s most important works is already in America after an export ban last year failed to find any institutions willing or able to pay the £5.4m the 1808 painting was worth.
Domenichino’s St John the Evangelist It will be “lamentable” if this £9.2m work from 1621-29 left the country after more than 100 years, according to the Reviewing Committee. Lamentable, but likely.
Works saved include:
Titian’s Diana and Actaeon A six-month campaign persuaded the public, the Scottish government and the Heritage Lottery Fund to part with £50m to buy the Old Master’s work from the Duke of Sutherland last year. Fundraising is due to start shortly to raise the same sum for the companion painting, Diana and Callisto, by 2012. Both were created between 1556 and 1559.
Turner’s Blue Rigi One of the finest watercolours by one of Britain’s greatest painters, an 1842 view of a Swiss mountain, was saved in 2007 after the Tate raised £4.95m. More in The Independent on Sunday HERE.
Banksy’s undoubted knack for exploiting the feverish interest his anonymity provokes has certainly created a lot of hype around the documentary Exit. The point is, says Andrew Johnson in The Independent on Sunday HERE, it isn’t really about him. It’s more about the creation of another street artist, Mr Brainwash, and an exposé of the art market and “suckers” with too much money who want to be part of the latest thing.
Tech
In August 2009, it was hard to move around Beijing without seeing an advert for Google. China was awash with the logo of a company whose motto is “Don’t Be Evil”, and the scale of the investment was a palpable endorsement of China’s vital importance to the economics of any global company. Skip forward to January this year, and an official blogpost announced summarily that the censored results that China demanded from Google were no longer compatible with the company’s philosophy. Off the record, employees said the company would pull out of China imminently.
So did the search giant really decide to eschew profits in favour of a defence of free speech? Or did it realise it would never be the biggest search engine in China and simply cut its losses? The question that matters is simple: what does Google stand for? More in The Telegraph HERE. And the FT asks, having acquired power over those it freed, is Google now a monopoly HERE and how ethically is its power used HERE.
In the week when three Google execs have been convicted and awarded six-month suspended sentences for allowing a clip of an autistic boy being bullied to play on Google Video (see more HERE), The Observer asks HERE, When anyone can have their say, what use is the stuff that comes out the other end? What can be done with it, and who is going to be in charge of quality control when things go wrong? And Microsoft has attacked ‘aggressive’ Google, as covered in The Sunday Telegraph HERE.
Opera
The people of Thurrock are being promised a piece of Covent Garden, complete with the sparkling glamour of its greatest operatic divas and prima ballerinas. On Tuesday, the Royal Opera House will officially take over the centre of an empty 14-acre site near the Thames in Essex. Tony Hall, Royal Opera’s chief executive has said:
“I love the fact Covent Garden is going to do something in a place that is half an hour away from London by train, but could be miles and miles away in every other way… It is a place that is relatively deprived, for the south-east, and that has a history of manufacturing that makes it the right place for us.” More in The Observer HERE.
Design
The Independent on Sunday has picked up two top honours in the prestigious Best of News Design awards. Organised by the Society for News Design, the professional organisation for the world’s graphic designers who work in the industry, the awards recognise the best from around the world in newspaper production. More in The Independent on Sunday HERE.
